Lyra Argo
Performance-wise, the Argo has made tremendous strides
in sonic performance over its predecessor. Trackability
has been much improved. In addition to having higher
performance potential, the Argo has been designed for
greater ease of setup. In other words, it will be easier
for more audiophiles to extract a greater percentage
of its performance potential.
Technology-wise, apart from the stylus guard, the Argo
shares practically nothing in common with the Lydian
Beta. Rather than thinking of the Argo as an upgraded
Lydian, it is more appropriate to consider the Argo as
a simplified Helikon - with different physical geometry,
different metallurgy and alternative voicing.
The Argo doesn't have any polepieces. The only components
that create the magnetic field are two symmetrical disc
magnets. Therefore, the magnetic field is also completely
symmetrical. This results in more accurate conversion
of mechanical vibrations into electrical signals; in
other words, lower distortion. This also allows the coils
and cantilever to move more freely, leading to improved
low level resolution and better tracking abilities, particularly
at low vertical tracking forces.
The Argo's body has been machined from a single piece
of aluminum alloy for superior rigidity, then hard-anodized.
The front magnet carrier of the Argo is non-magnetic
and non-conductive. The shape of the Argo body has also
been designed to minimize the presence of conductive
materials in the vicinity of the magnetic gap and signal
generator coils. This construction prevents the formation
of variable eddy currents that would otherwise interfere
with the primary magnetic field and distort the signal
generation process.
The Argo's stylus is at the tip of a low-mass diamond
block measuring 0.08 x 0.12 x 0.5mm. The stylus itself
is a Lyra-designed line-contact, with a major radius
of 70 micrometers and a minor radius of 3 micrometers.
Good theoretical design combined with exhaustive interactive
testing has created a stylus that is extremely good at
tracking and detail retrieval, yet offers ultra-low levels
of groove wear, has a very good signal-noise ratio, and
reduces the audibility of groove damage.
The cantilever of the Argo is a solid boron rod with
an extra metal reinforcement jacket. The low mass and
high stiffness of the cantilever reduces overshoot, thereby
helping to minimize the audibility of groove damage and
improving the perceived signal-noise ratio, even on worn
records.
The 4-ohm low-impedance signal coils are wound from
high-purity copper over a chemically-refined high-purity
iron core. The use of high-purity materials reduces both
measured and audible distortions.
The Argo uses completely new damper compounds that provide
superior tracking and detail retrieval, and help create
an energetic and powerful, vibrant, yet transparent sound.
Both the cantilever assembly and interior body structures
of the Argo have been designed so that the cantilever
mounts directly to the cartridge body. Intermediate mounting
methods such as polepieces or subcarriers have been completely
eliminated. This direct mounting system minimizes the
number of mechanical joints between the cantilever and
tonearm, and maximizes mechanical energy transfer away
from the stylus and generator area. The end result is
far less reflected mechanical energy, and therefore significantly
reduced levels of distortion.
The signal output pins of the Argo are plated with rhodium,
a highly conductive material that is far more durable
(and expensive) than gold.
The light weight of the Argo (around 6.5 grams) means
a reduced moment of inertia for many tonearms, leading
to improved tracking performance.
The Argo has been designed for ease of use. The body
incorporates threaded M2.6 holes to make it easier to
install the mounting screws. The total height of the
Argo is just under 17.9mm, while the distance from the
center of the mounting screws to the stylus tip is 3/8
inch (9.525mm). Henceforth, all Lyra cartridges will
be standardized with these height and mounting-screw-to-stylus
dimensions.
Despite that the Argo is a fully nude cartridge, the
design of the stylus guard affords the stylus and cantilever
full protection when the Argo is not being used and also
during the installation process. The slide-on design
of the stylus guard makes it easy to use and minimizes
risk to the cantilever when the guard is being installed.
Argo specifications:
Type: Moving Coil, low-impedance, low-output, medium
compliance
Frequency range: 10Hz ~ 50kHz
Channel separation: 30dB or better at 1kHz
Cantilever system: Solid boron rod with line-contact
stylus (3 x 70 micrometers profile)
Internal impedance: 4ohms
Output voltage: 0.45mV (5.0cm/sec., zero to peak, 45
degrees at 1kHz)
Cartridge weight (without stylus cover): 6.5g
Compliance: Approx. 12 x 10-6 cm/dyne at 100Hz
Recommended tracking force: 1.7 ~ 1.8g
Recommended load:
Into non-inverting
RIAA equalizer amplifier or head-amplifier: 10ohms ~
47kohms
Into step-up transformer: 3 ~ 6ohms (not exceeding
10ohms)
Cautions: Because of the high body rigidity and direct
cantilever mounting systems, the Argo pumps a significant
amount of mechanical energy into the headshell and tonearm.
If the arm doesn't have very high-quality bearings or
a stiff, low-resonance armpipe, it may not be able to
deal with this energy, and the resulting sound may be
too forward and bright. Make sure that the mounting surfaces
of the Argo and headshell are completely clean, bolt
the Argo to the tonearm headshell very firmly, and make
sure that everything in the headshell and tonearm structure
that can possibly resonate is screwed-down securely.
If that doesn't solve the problem, most likely the tonearm
design is incompatible with high-energy cartridges.
The Argo should be set up in each tonearm so that the
low-frequency resonance point comes between 8~12Hz. For
optimal tracking, the low-frequency resonance should
fall between 10~12Hz.
Due to the highly revealing stylus profile, the more
carefully the Argo is set up in the tonearm, the better
it will sound. If the Argo does not sound satisfactory
in a given audio system, the most likely problem is improper
setup.
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