lyra models
Lyra Dorian
moving coil cartiridge, medium output 0.55mV Boron
cantilever, aluminium body £495
more info
lyra dorian mono (for mono records)
Monoaural moving coil cartridge, medium output 0.25mV, boron cantilever,
aluminium alloy body £549
lyra argo
moving coil cartiridge, medium output 0.45mV, Boron cantilever,
aluminium body £795
more info
lyra helikon
moving coil cartiridge, medium output 0.50mV, Boron cantilever,
aircraft alloy body £995
more info
Lyra Helikon mono (for mono records)
monoaural moving coil cartiridge, medium output 0.25mV Boron cantilever,
aircraft grade alloy body £1045
Lyra Helicon sl
moving coil cartiridge, medium output 0.22mV, Boron cantilever,
aircraft grade alloy body - the helicon SL is ideally matched for
Naim amplifiers £1045
Lyra Titan
moving coil cartiridge, medium output 0.50mV, coated boron cantilever,
titanium body £2695
more info
lyra titan moo (for mono records)
Monaural moving coil cartiridge, medium output 0.25mV, coated boron cantilever,
titanium body £2950
EXCHANGE CARTRIDGES
If you already own a lyra cartridge you can trade it in against
a similar or higher grade Lyra cartridge. The trade in value
is approx 25% of what you paid for the old cartridge you are
trading in.
lyra build philosophy
Lyra mc phono cartridges are designed and
manufactured by Lyra of Tokyo, Japan. Each Lyra model is designed
by Jonathan
Carr
in
collaboration with Yoshinori Mishima, the artisan who also hand-crafts
each piece. The ultimate goal of all Lyra cartridge designs
is to
accurately reproduce the exact contents of the record grooves
without adding any signature of the cartridge itself.
The Lyra range of cartridges are of advanced design, employ modern
high-tech materials, and are built to stringent high-precision standards.
At the same time, each sample is voiced like a fine musical instrument
by its builder, Yoshinori Mishima - employing a voicing process
which he develops specifically for each cartridge model.
Mishima's hand-voicing procedures also enable him to compensate
for variations between individual cartridge units of the same type.
The aim is to produce each sample as uniform to the reference performance
and sound of each model as possible. Every cartridge is listened
to by Mishima repeatedly during the final adjustment and voicing
process.
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